Two Dancing Figures III, 1954
by Lynn Chadwick
Unlike Hepworth and Moore with their dedication to ‘truth to materials’, Chadwick reversed the process and used construction. He was one of the first sculptors to explore welding, making up linear armature or a skeleton onto which he applied a skin, building up the surface to a solid form. What stands Chadwick’s sculpture apart from the rest is their sculptural ‘attitude’ which he skillfully used to express a particular stance and the relationship of one mass to another whilst also concentrating on precision of line, crispness of texture and subtlety of colour.