'Ring of Birds' is an instantly recognisable example of O’Casey’s playful approach to sculpture. These paired down forms and positioning of the birds, combined with their natural patina and surface texture signify a harmony within the work which immediately touches the viewer.

Breon O’Casey was a significant member of the St. Ives school whose leading figures included Barbara Hepworth, Ben Nicholson and Bernard Leach. He began his working career as an assistant to Denis Mitchell and Barbara Hepworth in St. Ives, whilst setting himself up as a painter, jeweller, weaver, and later sculptor. O’Casey’s work is characterised by simple forms and lines and a very personal set of imagery.

Birds, animals and human figures are pared down to their very essence, giving them a primitive and mystical presence. O’Casey’s ability to apply himself so successfully to such a wide range of materials and making processes was an unusual talent and latterly he was afforded the luxury of having small separate studios for each discipline. This piece is reminiscent of O’Casey’s first sculptures in the 1990s, which were small animal and human figures in silver and gold.

Breon O’Casey was born in London the son of Irish dramatist Sean O’Casey, and his Celtic roots remained of importance to him as did his father’s artistic leanings and encouragement. He exhibited widely and his work can be found in many permanent collections.

Provenance

From the artist's estate

Exhibitions

Breon O' Casey: Transitions, 2015, Pangolin London

Masterpiece Art fair, London 2019.

Literature

Breon O' Casey: Transitions, 2015, Pangolin London

Publications

Breon O' Casey: Transitions, 2015, Pangolin London