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Masterpiece London 2021

Past exhibition
24 - 27 June 2021
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Open a larger version of the following image in a popup: Zachary Eastwood-Bloom, Timaeus / Plato, 2017
Open a larger version of the following image in a popup: Zachary Eastwood-Bloom, Timaeus / Plato, 2017
Open a larger version of the following image in a popup: Zachary Eastwood-Bloom, Timaeus / Plato, 2017
Open a larger version of the following image in a popup: Zachary Eastwood-Bloom, Timaeus / Plato, 2017
Open a larger version of the following image in a popup: Zachary Eastwood-Bloom, Timaeus / Plato, 2017

Zachary Eastwood-Bloom British, b. 1980

Timaeus / Plato, 2017
Bronze
60 x 35 x 35 cm
23 5/8 x 13 3/4 x 13 3/4 in
Edition 3 of 8
£22,500 inc VAT
Zachary Eastwood-Bloom, Timaeus / Plato, 2017
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Further images

  • (View a larger image of thumbnail 1 ) Merete Rasmussen, Fluent Yellow (Wall), 2020
  • (View a larger image of thumbnail 2 ) Merete Rasmussen, Fluent Yellow (Wall), 2020
  • (View a larger image of thumbnail 3 ) Merete Rasmussen, Fluent Yellow (Wall), 2020
  • (View a larger image of thumbnail 4 ) Merete Rasmussen, Fluent Yellow (Wall), 2020
  • (View a larger image of thumbnail 5 ) Merete Rasmussen, Fluent Yellow (Wall), 2020
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Zachary Eastwood Bloom's ability to explore the intersection between the classical and the cutting edge is captured here in his fabulous bronze Timaeus/Plato. It was the Athenian philosopher Plato who...
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Zachary Eastwood Bloom's ability to explore the intersection between the classical and the cutting edge is captured here in his fabulous bronze Timaeus/Plato.

It was the Athenian philosopher Plato who first suggested the concept of the Platonic solid in his dialogue 'Timaeus' (360 BC) in which he associated each of the four classical elements (earth, air, water, and fire) with a regular solid. Earth was associated with the cube, air with the octahedron, water with the icosahedron, and fire with the tetrahedron. The fifth solid, the dodecahedron, Plato seemed to attribute to the heavens.

Using cutting edge digital drawing and printing techniques combined with the age old technique of bronze casting and hand finishing, Eastwood-Bloom here brings the classical bust of this famous philosopher into the 21st century by filling Plato with his own solids.

Zachary Eastwood-Bloom graduated from the Royal College of Art in 2010, where he studied Ceramics and Glass. In 2016 he was awarded Pangolin London's sculpture residency and had his first major solo London show, 'Divine Principles' in 2017. 2019 saw Zachary complete his residency as the first digital artist in residence at the Royal Scottish Ballet for their digital season. Zachary Eastwood-Bloom co-founded Studio Manifold and lives and works in Glasgow.
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Provenance

From the artist

Exhibitions

Pangolin London, Zachary Eastwood-Bloom: Divine Principles, 2017; Pangolin London, Decade, 2018

Literature

Zachary Eastwood-Bloom, Divine Principles, 2017

Publications

Zachary Eastwood-Bloom, Divine Principles, 2017

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  • Susie MacMurray

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  • Breon O'Casey

    Breon O'Casey

  • Eilis O'Connell

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  • Merete Rasmussen

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